On Facts, Proof, and the Reception of Black Critique in White Dutch Media
These illustrations, which are part of “the practice of displaying Blackness for enjoyment and edification of the white viewers,” produce White liberal subjectivities that are not driven by the will to dominate (that is, ‘the racist who wants’), but the voyeuristic desire to consume Black pain. The manner through which Black people enter the field of visibility is regulated through
Verder lezen Reageren?
Recente reacties